crimson consuela ravarra

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	<title>crimson consuela ravarra</title>
	<link>https://crimsonravarra.com</link>
	<description>crimson consuela ravarra</description>
	<pubDate>Mon, 21 Oct 2024 05:17:16 +0000</pubDate>
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		<title>cv/bio</title>
				
		<link>https://crimsonravarra.com/cv-bio</link>

		<pubDate>Thu, 12 Oct 2023 05:38:07 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/cv-bio</guid>

		<description>
	&#60;img width="8118" height="5412" width_o="8118" height_o="5412" data-src="https://freight.cargo.site/t/original/i/3f7bf452fe4d2e51aeed47f5c8c59488b3be2e867594a7cab00bcb17d590dc27/2024-04-WU-Student-Features-DZC_6449.jpg" data-mid="220057211" border="0"  src="https://freight.cargo.site/w/1000/i/3f7bf452fe4d2e51aeed47f5c8c59488b3be2e867594a7cab00bcb17d590dc27/2024-04-WU-Student-Features-DZC_6449.jpg" /&#62;photo: Mario Gallucci
	
crimson consuela ravarra was born in Kelowna, BC Canada, and raised in Portland, Oregon. They describe their work as sensorial curiosities that bridge understandings of grief, care, memory, and time—longing. Using performance and site specific installation as engagements. 
In 2021 they co-founded local student run, pop-up gallery Playground Gallery, producing reprintings of early photographic works In Response and Momma &#38;amp; I. During that time they performed Bells with Aki Onda and Marcus Fischer. In 2022 they interned at PICA making props for artists Anthony Hudson and Adrienne Truscott, and studied abroad for a term at the University for the Creative Arts Farnham. crimson is an Intermedia graduate from the Pacific Northwest College of Art.


CV:

Exhibition Record
       2024&#38;nbsp; &#38;nbsp;Solo Exhibition, shoulder perching, 157 Gallery at&#38;nbsp;511 NW Broadway,&#38;nbsp; Portland OR

2023&#38;nbsp; &#38;nbsp;Group Exhibition, Mind and Hand: PNCA Community Showcase, Royal Nebeker                                                                                                                              Art Gallery, Astoria OR
                four thousand nine hundred and eight miles

2022&#38;nbsp; &#38;nbsp;Group Exhibition, UCA Fine Arts Department Exhibition, Farnham, Surrey UK
                Identifying a Movement in Limbo   

2022&#38;nbsp; &#38;nbsp;Collaborative Project, PNCA Projection Sound and Space Final Exhibition, Portland  
                OR
                Untitled (Room II) with Oscar Dierker 

2021&#38;nbsp; &#38;nbsp;Group Exhibition, Here and Now, Playground Gallery at 106 NW 4th, Portland OR
                Momma &#38;amp; I 

2021&#38;nbsp; &#38;nbsp;Group Exhibition, Future Ephemera, PNCA Intermedia Student Exhibition, 511
               Gallery, Portland OR 
               mom, this is a letter

2021&#38;nbsp; &#38;nbsp;Group Exhibition, Fragile, Playground Gallery at Inspire Wellness, Portland OR 
                In Response    

Performance
2025&#38;nbsp; &#38;nbsp; 44th Annual Lewis and Clark Gender Studies Symposium, Gregg Pavilion, Portland OR

toe touching with Kobey Bonin

2024&#38;nbsp; &#38;nbsp; Project 42,&#38;nbsp;511 NW Broadway, Portland OR

Rene Rosita Hildago with Molly Vaughan

2024&#38;nbsp; &#38;nbsp; Risk/Reward Festival, PICA, Portland OR

Brujas de Basura with Megita Denton and&#38;nbsp;Mychelle Moritz

2024&#38;nbsp; &#38;nbsp;shoulder perching, 157 Gallery at 511 NW Broadway,&#38;nbsp; Portland OR

2023&#38;nbsp; &#38;nbsp;shoji reality, 157 Gallery at 511 NW Broadway, Portland ORlooking up at the line with PCP
&#38;nbsp;
2023&#38;nbsp; &#38;nbsp;Workshop with Heidi Duckler, Lee Kelly’s Memory 99 at North Park Blocks, Portland OR
Memory

2021&#38;nbsp; &#38;nbsp;Future Ephemera, PNCA Intermedia Student Exhibition, Shipley-Collins Mediatheque, Portland OR
               puull

2021&#38;nbsp; &#38;nbsp;Future Ephemera, PNCA Intermedia Student Exhibition, B12 Gallery, Portland OR
               TOP TURNER by Lenny Beach, with Drew Davis

2021&#38;nbsp; &#38;nbsp;A Letter from Souls of The Dead, PICA, Portland OR
               Bells by Aki Onda and Marcus Fischer, with Paul Dickow, Alissa Derubeis, and Noah  
               Beckham&#38;nbsp;
Artist Talks     
2021&#38;nbsp; &#38;nbsp;In Response for Fragile, Playground Gallery at Inspire Wellness, Portland OR

Awards/Grants/Fellowships
2024&#38;nbsp; &#38;nbsp;Thesis Oral Defense Writing Award, Pacific Northwest College of Art, Portland OR
shoulder perching&#38;nbsp;

Education2024&#38;nbsp; &#38;nbsp;BFA, Pacific Northwest College of Art, Portland OR&#38;nbsp;

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	<item>
		<title>contact</title>
				
		<link>https://crimsonravarra.com/contact</link>

		<pubDate>Thu, 12 Oct 2023 05:41:30 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/contact</guid>

		<description>crimson (dot) ravarra (at) gmail (dot) com


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	<item>
		<title>states of resistance</title>
				
		<link>https://crimsonravarra.com/states-of-resistance</link>

		<pubDate>Fri, 10 Nov 2023 19:46:49 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/states-of-resistance</guid>

		<description>
	looking up at the line (2023)

performance in collaboration with PCP 
for&#38;nbsp;shoji reality, curated by mai ide


Movement investigation: states of reistance
(a mindful body is sensitive. it feels space as it fluxes)

score: 1. acknowledge boundaries
2. performance is over when fingers unclasp
&#38;nbsp; 
May 2023


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		<title>shoulder perching</title>
				
		<link>https://crimsonravarra.com/shoulder-perching</link>

		<pubDate>Mon, 21 Oct 2024 05:17:16 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/shoulder-perching</guid>

		<description>
	shoulder perching (2024)shoulder perching marks a number of investigational works that question how the body occupies spatial time. As a culmination of ravarra’s *thesis research, their unhindered curiosity of “how to make time” has led to focusing on the manipulation of the photograph as material—rejecting its assumed longevity and reproductional marking of time by focusing on embodiments of the performative now. In contextualizing their work as unresolved encounters, shoulder perching asks how we hold sentimentality and remembering in relation to ephemera’s actions.

shoulder perching expanded with a photobooth, open to the public on April 3rd, 4th and 5th, 2024.&#38;nbsp;
*thesis oral available upon request
	
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		<title>four thousand nine hundred and eight miles</title>
				
		<link>https://crimsonravarra.com/four-thousand-nine-hundred-and-eight-miles</link>

		<pubDate>Thu, 12 Oct 2023 05:17:07 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/four-thousand-nine-hundred-and-eight-miles</guid>

		<description>
	four thousand nine hundred and eight miles (2023)
four thousand nine hundred and eight miles began in November 2022 while studying abroad in Farnham—a small town in Southern Surrey, U.K. Surrounding the campus was rolling pastures and grazing cows and I had made a habit early on of wandering its paths and green-spaces daily. Being riddled with continual discomfort from the task of traveling, to the seeking of relaxed settlement, and expelling conversation, I felt distanced from the very presence of my body. So much so I grieved. I decided to dig up clay from a farm on my regular route, to reclaim and be more sensitive to my environment of comfort—aiming to construct an object that would outlast my short time there. My clay never took form during the last month and a half, sitting, remembering with me until it accompanied me on my journey back to Portland. 

That same fall I became attached to the term limbo. Distanced from any religious or negative connotations but instead claiming a state of movement with no end. Upon returning, limbo was my normal state. In relocating my sense of self, four thousand nine hundred and eight miles became a performance that allowed time passed and distance traveled to become tangible. That limbo could be an accepted duality. Through caring to a material extension of my body, equally seeking to be realized, slowness was allowed and preserved through various forms of attentive touch.
	
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c964691b6134d97fd82b04b51a8373fc2e939888ac9583c74d33eee7dbea42a8/1.jpg" data-mid="195626926" border="0"  src="https://freight.cargo.site/w/1000/i/c964691b6134d97fd82b04b51a8373fc2e939888ac9583c74d33eee7dbea42a8/1.jpg" /&#62;
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&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/706588ead5a3353fac430cfadc7f4c301c5d2fe38c4369842663087a5213e784/3.jpg" data-mid="195626924" border="0"  src="https://freight.cargo.site/w/1000/i/706588ead5a3353fac430cfadc7f4c301c5d2fe38c4369842663087a5213e784/3.jpg" /&#62;
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/1a13abcb5a63abe3831439ef05a8a2576a1b023e8fd54b1d331ebbf7766bf1b5/4.jpg" data-mid="195626929" border="0"  src="https://freight.cargo.site/w/1000/i/1a13abcb5a63abe3831439ef05a8a2576a1b023e8fd54b1d331ebbf7766bf1b5/4.jpg" /&#62;
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/16f85fab3b33a269c5484310b932ae3463594e4ca2d15ef4273b39543650226f/5.jpg" data-mid="195626930" border="0"  src="https://freight.cargo.site/w/1000/i/16f85fab3b33a269c5484310b932ae3463594e4ca2d15ef4273b39543650226f/5.jpg" /&#62;
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8b867a38f8bd013a0c3e06eae146aa9312cb080c732aa27d32cd02d7187d99ea/6.jpg" data-mid="195626931" border="0"  src="https://freight.cargo.site/w/1000/i/8b867a38f8bd013a0c3e06eae146aa9312cb080c732aa27d32cd02d7187d99ea/6.jpg" /&#62;

&#60;img width="1550" height="2535" width_o="1550" height_o="2535" data-src="https://freight.cargo.site/t/original/i/7eb398da1d94f19e6cec56eac325ae018367acfef7c73e604397feab00ea07fa/4908-miles03.jpg" data-mid="195985020" border="0"  src="https://freight.cargo.site/w/1000/i/7eb398da1d94f19e6cec56eac325ae018367acfef7c73e604397feab00ea07fa/4908-miles03.jpg" /&#62;
&#60;img width="3086" height="2524" width_o="3086" height_o="2524" data-src="https://freight.cargo.site/t/original/i/44121b7536c37f7473b53d766d86e3218349495a025e8c2a37fea0907ce66719/4908-miles04.jpg" data-mid="195985089" border="0"  src="https://freight.cargo.site/w/1000/i/44121b7536c37f7473b53d766d86e3218349495a025e8c2a37fea0907ce66719/4908-miles04.jpg" /&#62;
&#60;img width="3101" height="2544" width_o="3101" height_o="2544" data-src="https://freight.cargo.site/t/original/i/37ffc1230259559f2e0eefeed918e8292fc4fb787c6491b6810ce0c655d22826/4908-miles05.jpg" data-mid="195985090" border="0"  src="https://freight.cargo.site/w/1000/i/37ffc1230259559f2e0eefeed918e8292fc4fb787c6491b6810ce0c655d22826/4908-miles05.jpg" /&#62;
&#60;img width="3070" height="2510" width_o="3070" height_o="2510" data-src="https://freight.cargo.site/t/original/i/96aa5e6971bdf982e8c5da43dcb9ceb9c7089fc05d8be7f200b5289a6dad2c81/4908-miles06.jpg" data-mid="195985195" border="0"  src="https://freight.cargo.site/w/1000/i/96aa5e6971bdf982e8c5da43dcb9ceb9c7089fc05d8be7f200b5289a6dad2c81/4908-miles06.jpg" /&#62;
&#60;img width="3111" height="2541" width_o="3111" height_o="2541" data-src="https://freight.cargo.site/t/original/i/43652077351bfd3009a7401f258c8efbfc13e336bdf21d32cbe77516adb915bc/4908-miles07-copy.jpg" data-mid="195985237" border="0"  src="https://freight.cargo.site/w/1000/i/43652077351bfd3009a7401f258c8efbfc13e336bdf21d32cbe77516adb915bc/4908-miles07-copy.jpg" /&#62;
&#60;img width="3100" height="2532" width_o="3100" height_o="2532" data-src="https://freight.cargo.site/t/original/i/5c028789e9b55ad557203bb8d179dc1bdcb54545c5a11612a359e1030d8db46d/4908-miles07.jpg" data-mid="195985238" border="0"  src="https://freight.cargo.site/w/1000/i/5c028789e9b55ad557203bb8d179dc1bdcb54545c5a11612a359e1030d8db46d/4908-miles07.jpg" /&#62;
&#60;img width="1549" height="2550" width_o="1549" height_o="2550" data-src="https://freight.cargo.site/t/original/i/94a617a24f4052c5cef0956b3e42b46f0ea5473dbc0f6729ddf674ba050ef9c9/4908-miles08.jpg" data-mid="195985239" border="0"  src="https://freight.cargo.site/w/1000/i/94a617a24f4052c5cef0956b3e42b46f0ea5473dbc0f6729ddf674ba050ef9c9/4908-miles08.jpg" /&#62;

Riso zine published a month after performance. 
Documenting journal entries, rehearsal and first words.

March 2023
</description>
		
	</item>
		
		
	<item>
		<title>identifying a movement in limbo</title>
				
		<link>https://crimsonravarra.com/identifying-a-movement-in-limbo</link>

		<pubDate>Thu, 12 Oct 2023 05:17:08 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/identifying-a-movement-in-limbo</guid>

		<description>
	identifying a movement in limbo (2022)
An experiment in articulating atmosphere and how a body sustains its ecology. Do viewers become participants simply once they enter the space? How does one know where and when a body was/is performing? Can this space be interrupted?&#38;nbsp;
	

&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/81a2bc2271cdc2dbb6c16dee635ff9d87aa3552703c3e9a812911337b7c3785d/limbo-score-sheet01.jpg" data-mid="195988147" border="0"  src="https://freight.cargo.site/w/1000/i/81a2bc2271cdc2dbb6c16dee635ff9d87aa3552703c3e9a812911337b7c3785d/limbo-score-sheet01.jpg" /&#62;
&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/128f00354d9df3eb96bea9872533b4d2f6156003a3fd7402a6d3a2e14af05716/limbo-score-sheet02.jpg" data-mid="195988151" border="0"  src="https://freight.cargo.site/w/1000/i/128f00354d9df3eb96bea9872533b4d2f6156003a3fd7402a6d3a2e14af05716/limbo-score-sheet02.jpg" /&#62;


	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fb7923a3e2070d42b472607d0338991ffd96a0804e8c3873949c470d0a59ff1b/IMG_3369.jpeg" data-mid="193654879" border="0"  src="https://freight.cargo.site/w/1000/i/fb7923a3e2070d42b472607d0338991ffd96a0804e8c3873949c470d0a59ff1b/IMG_3369.jpeg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/48deb8bd43bfe09bdcf0aa2237a406a7fcf262a85dbc93b5f1d19c4150f313e7/IMG_3374.jpeg" data-mid="193654880" border="0"  src="https://freight.cargo.site/w/1000/i/48deb8bd43bfe09bdcf0aa2237a406a7fcf262a85dbc93b5f1d19c4150f313e7/IMG_3374.jpeg" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f788df00eac83bad4b45434444806fc15ad625a1aa4ca1a11e2a07695b961f0e/IMG_3379.jpeg" data-mid="193654881" border="0"  src="https://freight.cargo.site/w/1000/i/f788df00eac83bad4b45434444806fc15ad625a1aa4ca1a11e2a07695b961f0e/IMG_3379.jpeg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>room(s)</title>
				
		<link>https://crimsonravarra.com/room-s</link>

		<pubDate>Thu, 12 Oct 2023 05:17:08 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/room-s</guid>

		<description>
	Untitled (Room I) + (Room II) (2022)In collaboration with Oscar Dierker&#38;nbsp;

The Room series is an ongoing collaborative investigation, evolving from questions of how atmosphere of a home can be constructed through variations of object permenence. Reflecting on our deep admiration for ephemeral indicators; sun stained walls, scratched floors, warm lighting. Beginning in the centralized social area of the home, the living room, we identified the home as a transitory passage that cradles time. Promoting in the viewer the complicated nature of longing and aging.

	
&#60;img width="1680" height="1120" width_o="1680" height_o="1120" data-src="https://freight.cargo.site/t/original/i/c0cde749f10242dc2c8e03e428f54be21bd3ba9ec74b3f245de525d604740f35/room-2.jpg" data-mid="193654230" border="0"  src="https://freight.cargo.site/w/1000/i/c0cde749f10242dc2c8e03e428f54be21bd3ba9ec74b3f245de525d604740f35/room-2.jpg" /&#62;
&#60;img width="1680" height="1120" width_o="1680" height_o="1120" data-src="https://freight.cargo.site/t/original/i/4cdc85c883d99806276ff040f10cc778773efe1f02368336a8eebfee7ebd83e4/room-2-2.jpg" data-mid="193654245" border="0"  src="https://freight.cargo.site/w/1000/i/4cdc85c883d99806276ff040f10cc778773efe1f02368336a8eebfee7ebd83e4/room-2-2.jpg" /&#62;
&#60;img width="1680" height="1120" width_o="1680" height_o="1120" data-src="https://freight.cargo.site/t/original/i/ad6247d6126985f9c6257cc0fd47cfb60110dacebf749c8531d8c1a1131a32c5/room-2-3.jpg" data-mid="193654257" border="0"  src="https://freight.cargo.site/w/1000/i/ad6247d6126985f9c6257cc0fd47cfb60110dacebf749c8531d8c1a1131a32c5/room-2-3.jpg" /&#62;
&#60;img width="1680" height="1120" width_o="1680" height_o="1120" data-src="https://freight.cargo.site/t/original/i/20022876321b358999532bc7cf28152891fc6194371b15319e8c6f787aec9875/room-2-4.jpg" data-mid="193654259" border="0"  src="https://freight.cargo.site/w/1000/i/20022876321b358999532bc7cf28152891fc6194371b15319e8c6f787aec9875/room-2-4.jpg" /&#62;
Untitled (Room II)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>marking time</title>
				
		<link>https://crimsonravarra.com/marking-time</link>

		<pubDate>Thu, 12 Oct 2023 05:17:08 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/marking-time</guid>

		<description>
	marking time (2022)
Documenting a time of collective growing pains within my family home.&#38;nbsp;
	
</description>
		
	</item>
		
		
	<item>
		<title>mom, this is a letter</title>
				
		<link>https://crimsonravarra.com/mom-this-is-a-letter</link>

		<pubDate>Thu, 12 Oct 2023 07:45:43 +0000</pubDate>

		<dc:creator>crimson consuela ravarra</dc:creator>

		<guid isPermaLink="true">https://crimsonravarra.com/mom-this-is-a-letter</guid>

		<description>
	mom, this is a letter (2021)
this is a letter you will 
never receive. one you will 
not hear—a discomfort, 
shared with others. 
time will go by and i will tell you,
after i finish feeling stuck 
between us.A private performance that reflects on frustrations of learning to love.
	&#60;img width="5111" height="4393" width_o="5111" height_o="4393" data-src="https://freight.cargo.site/t/original/i/3474e7ab4e70de5f231c1397102789c455fd8c4aed4253e75e81e307620db527/2021-12-14-FutureEphemera-24-copy.jpg" data-mid="193458994" border="0"  src="https://freight.cargo.site/w/1000/i/3474e7ab4e70de5f231c1397102789c455fd8c4aed4253e75e81e307620db527/2021-12-14-FutureEphemera-24-copy.jpg" /&#62;
</description>
		
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